Karan’s turnaround came days after peta2 launched their online campaign and after Tim Gunn - Project Runway’s mega fashion guru – sent Karan and designer Giorgio Armani a video that he narrated for peta2 showing animals skinned alive for their fur and urged them to open their eyes to the violent and bloody fur industry.
While Donna Karan has followed in the footsteps of top designers – including Ralph Lauren, Tommy Hilfiger, and Calvin Klein – Armani still refuses to stop using fur. Armani claims that he “only” uses fur from rabbits who are butchered for meat. We hope that you will take this opportunity to contact Armani to tell him that while the meat of gentle rabbits killed for their fur in China is sold to be eaten, the suffering that they endure is exactly the same.
Before the first model hit the runway, Luisa Beccaria sent out her young daughter and son, along with two other beautiful little kids, to scatter rose petals. Whether or not you appreciated the flower children is a good indicator of how you might feel about the collection itself: For some, Beccaria’s party dresses are the very essence of romance; for others, they’re just too sweet. But there’s no arguing that this was one of her most accomplished shows. It was cohesive, well-made (although she’ll have to address the sheerness issue before retail), and utterly charming.
Here’s some of our favorite looks from the show.



















Exactly who started this season’s trends for transparency, pale color, and bouncy crinolined skirts, we may never know. All that’s certain is that it takes a practiced eye to handle all three of them at once—but if anyone can get away with it, it’s Karl Lagerfeld. On the Fendi runway, he made bell-shaped dresses—with their accompanying three levels of sheer fabric in the skirt—look molded in a graphic way, rather than ingenue-cute or dubiously sleazy (pitfalls that have been encountered by others who’ve gone the way of see-through).
With that, Lagerfeld established a modernist, cinch-waisted silhouette, further de-cloyed by up-sprouting quiffs, that ran throughout the collection—and he cleverly dispensed broderie anglaise, tablecloth lace, and laser cutouts as he went along. It made enough of a statement to carry the show, but, as always, the real news-making content was the shape of the Fendi bags. This season, it’s the “kangaroo pouch”—vaguely similar to the Hermès Birkin, but with one side draped open. (By Sarah Mower-Style.com